Marcus Gheeraerts I (1521–1636); Master Engraving - The Camel - Aesop - Mammal - 1617


First scared by the sight of a Camel, a Man eventually became so comfortable around the Camel he allowed a child to ride him.

Use serves to overcome dread.

Issued in the series:

Vorstelijcke warande der dieren; waer in de Zeden-rijcke Philosophie, Poëtisch, Morael, en Historiael, vermakelijck en treffelijck wort voorghestelt


Plate: 13 x 12 cm. Trimmed to outside plate mark. 

Marcus Gheeraerts the Elder (c. 1520 – c. 1590) was a Flemish printmaker and painter associated with the English court of the mid-16th century and mainly remembered as the illustrator of the 1567 edition of Aesop's Fables.

Gheeraerts is most noteworthy as a printmaker. He was a keen innovator and experimented with etching at a time when woodcut and engraving were dominant techniques. Gheeraerts' style resembles that of Pieter Bruegel the Elder. In his own day, Gheeraerts was particularly famous as a draughtsman of birds and animals, and since the Protestant Reformation had halted the church art market, he showcased his talent in the fable book De warachtighe fabulen der dieren from 1567. He etched the title page and 107 fable illustrations and had his friend, Edewaerd de Dene, write the book's fables in Flemish verse. Gheeraerts based most of his motifs on woodcuts by Virgil Solis and Bernard Salomon but gave his subjects greater naturalism. Gheeraerts added another 18 illustrations and a new title page for a French version of the Fabulen that was published in 1578 under the title Esbatement moral des animaux.[3] A Latin version, Mythologia ethica, was published in the following year with a title page likely based on a drawing by Gheeraerts.

This edition 1617.


de Vries, De Nederlandsche Emblemata, 73; Landwehr, Dutch Emblem Books, 252a; Hollstein, Dutch and Flemish, VII, p. 100, nos. 1-108